Recently the French electronic dance band Daft Punk posted a 15 second short on Saturday Night Live. Presumably, it was an advertisement for a new album. The background music is more funky, and less noisy than their most recent releases.
Some have speculated they may be going back to a sound more reminiscent of “Discovery” from 2001.
What interests me is the approach of the advertisement. Usually a band just tweets or blogs, but this was a full-blown advertisement on national television. It went viral, alright. Scouring Youtube, I’ve already seen tons of remixes and 10 minute loops of the fifteen second clip.
Needless to say, I’m rather excited about a new Daft Punk release.
I remember going to a CD Warehouse in Laurel, MD and picking up a copy of “Homework” back in the day. It was pretty much my first techno album I had ever owned alongside a Kraftwerk album.
I really enjoyed “Discovery,” but everything seemed to go downhill after that. “Human After All” was recorded in six weeks and it showed. Then they did the soundtrack for Tron 2.0. It was not bad, but soundtracks are not wholly representative of a band’s creative output. Continue reading





I discovered Florrie’s music on Last.fm, while playing one of their similar artists radio stations. Usually when I listen to Last.fm radio, I’m also focused on something else, programming or writing or reading. I don’t give all of my attention to the songs that play on Last.fm radio, because typically either they are songs I’m already familiar with or they have no standout qualities. But sometimes a song I’ve never heard before grabs my attention. I have to stop what I’m doing and check out the song and album titles, see who the artist is, see if the track is available for legal download, and search the web for other info about the artist and their music. That’s exactly what happened when Call of the Wild by Florrie popped up on Last.fm radio a few weeks ago.