I’ve been an avid fan of Sleigh Bells since hearing their first release in late 2009. Capturing my attention with my weak spot for female vocals, and still having that loud rock edge. Sleigh Bells tracks were easy on the ears, had the right vocals, and didn’t put me to sleep.
Songs like Infinity Guitars and A/B Machines brought a spark of new life to my music collection. They were loud, they were bass heavy, and the beats impressed me as a mixture of hip-hop and rock. It was something you could head bang to, but also something you could freak out to.
The coming together of dance punk and noise pop could have never been so fresh. When I listened to their album Treats in April 2010, it was many of the same songs; however, they were cleaner. Sleigh Bells didn’t really change, they were still loud. I much appreciated their previous efforts, but eventually Treats began to grow on me. Continue reading





